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Movie Review: Prepare to get hot and bothered with stylish, synthy tennis drama ‘Challengers’
Zendaya, Mike Faist and Josh O’Connor are tennis players in and out of love in “Challengers.” Directed by Luca Guadagnino and told in present day and flashback, it’s about friendships, love, competition and sport set to a synthy score from Trent Reznor and Atticus Ross.
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Movie Review: A heist movie that gleefully collides with a monster movie in ‘Abigail’
If you always thought your garden-variety heist movies could do with a bit more blood-sucking vampire, have we got a flick for you.
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Movie Review: ‘Ministry of Ungentlemanly Warfare’ amps up a true-tale WWII heist
The latest Guy Ritchie flick “The Ministry of Ungentlemanly Warfare” has a spine of true story to it, even if it does all it can to amplify a long-declassified WWII tale with enough dead Nazis to make “Inglourious Basterds” blush.
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Movie Review: A lyrical portrait of childhood in Cabrini-Green with ‘We Grown Now’
Two 11-year-old boys navigate school, friendship, family and change in Minhal Baig’s lyrical drama “We Grown Now.”
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Movie Review: ‘Food, Inc. 2’ revisits food system, sees reason for frustration and (a little) hope
The makers of the Oscar-nominated 2008 documentary “Food, Inc.” never planned to make a sequel. They figured they’d said it all in their harrowing look at what they called a broken, unsustainable food system, controlled by a few all-powerful corporations.
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Movie Review: Should you watch ‘Sasquatch Sunset’ about a family of Bigfoots? Not yeti
One of the wildest movies of the year — or the century, for that matter — suggests that Bigfoots mourn, cuddle, bury their dead, enjoy throwing rocks in rivers, make art and wonder if they’re alone in the world.
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Movie Review: In Alex Garland’s potent ‘Civil War,’ journalists are America’s last hope
The United States is crumbling in Alex Garland’s sharp new film “Civil War,” an A24 release in theaters Friday.
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Movie Review: Ken Loach, longtime chronicler of social ills, seeks a hopeful note in ‘The Old Oak’
After nearly 30 films over six decades, British director Ken Loach, at 87, has said he’s calling it a day with “The Old Oak.”
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Movie Review: Dev Patel’s ‘Monkey Man’ is a political allegory bathed in blood
Like “Slumdog Millionaire,” Dev Patel’s “Monkey Man” is set in Mumbai and has a touch of fable to it. But in tone and texture, it could hardly be more different.
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Movie Review: In ‘Girls State,’ Missouri teens start a mock government
What would an all-female government look like in the U.S.? Or even a majority female government? It’s something that remains a fantasy.
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Movie Review: Love wins in the triumphant ‘Housekeeping for Beginners’
“Housekeeping for Beginners” begins with a shot of a painting on a wall hanging just a little askew.
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Movie Review: ‘Godzilla x Kong’ has scales and scale but not much else
As the old saying goes, there are two kinds of people on this Earth: Those who like their movies with a giant evil ape swinging a vertebrae like a lasso while riding a kaiju controlled by a crystal, and those who don’t.
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Movie Review: Alice Rohrwacher’s tombaroli tale ‘La Chimera’ is pure magic
When we talk about “movie magic,” the first thing that comes to mind is often something like the bikes achieving liftoff in “E.T.”
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Movie Review: ‘STEVE! (martin)’ looks at past, present in a lovely, intimate 2-part documentary
The first official documentary about Steve Martin, from Oscar-winner Morgan Neville, is a freewheeling story told in two parts, one part focused on “Then” and one part focused on “Now” with both parts debuting on Apple TV+ on Friday.
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Movie Review: Bill Nighy, Michael Ward shine in Netflix’s Homeless World Cup crowd-pleaser
“The Beautiful Game,” a new movie starring Bill Nighy and Michael Ward coming to Netflix on Friday, is about a real international soccer tournament called the Homeless World Cup.
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Movie Review: ‘Ghostbusters: Frozen Empire’ clears a low bar
Forty years after “Ghostbusters” and following a string of sequels that never measured up to the original it’s fair to wonder, well, who else ought we to call?
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Movie Review: Things get scary for Sydney Sweeney in a creepy Italian convent in ‘Immaculate’
Sydney Sweeney plays a nun abroad in the new horror movie “Immaculate.” Her character is recruited to join an Italian convent that also provides a home for dying nuns, but the picturesque setting soon curdles into nightmare territory in this film written by Andrew Lobel and directed by Michael Mohan
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Movie Review: A remake of ‘Road House’ with Jake Gyllenhaal turns into a muscular, Florida romp
Jake Gyllenhaal steps into a role previously made famous by Patrick Swayze when he becomes a bouncer in the new remake of “Road House.”
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Movie Review: Man and dog and adventure racing in ‘Arthur the King’
Mark Wahlberg plays an adventure racer who befriends a dog on a 435 mile trek through the jungle in “Arthur the King.”
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Movie Review: Anthony Hopkins, Johnny Flynn find poignant synergy in real-life war tale ‘One Life’
It’s a perfect role for Anthony Hopkins: a modest, elderly man who disdains fuss, keeping his secrets to himself.
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Movie Review: John Cena gets the laughs in middling comedy ‘Ricky Stanicky’
Peter Farrelly returns to his broad comedy roots with “Ricky Stanicky,” about three childhood friends and their imaginary fall guy.
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Movie Review: ‘Love Lies Bleeding’ is peak Kristen Stewart
Muscles ripple, veins pop and electronic music throbs in “Love Lies Bleeding,” a heaving, hyper-sexy neo-noir drenched in sweat, blood and bug guts, writes Associated Press Film Writer Jake Coyle in his review.
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Movie Review: ‘Kung Fu Panda 4' is a sweet, fun and well executed passing of the torch
“Kung Fu Panda 4” finds our trusty, rotund hero Po at a career crossroads and he’s nervous. “Kung Fu Panda 4” also finds the franchise at an inflection point, but there’s no reason to be nervous, Associated Press critic Mark Kennedy says: DreamWorks knows what it’s doing.
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Movie Review: The colossal melancholy of Ceylan’s ‘About Dry Grasses’
Nuri Bilge Ceylan makes long films, by movie standards, but short ones by Russian literature standards.
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Movie Review: It’s lonely out in space for Adam Sandler in pensive sci-fi psychodrama ‘Spaceman’
Adam Sandler in a spacesuit as an anxious astronaut headed toward Jupiter? At one point in his career that could only have been a comedy.
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Movie Review: An Iranian woman and her daughter flee abuse in moving indie ‘Shayda’
Noora Niasari’s delicately moving “Shayda” puts the viewer in the shoes of an Iranian woman in Australia living in a women’s shelter with her 6-year-old daughter.
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Movie Review: Writer-director Julio Torres proves a storyteller to cheer with awesome ‘Problemista’
“Problemista” is clearly Julio Torres’ labor of love. He stars, directs and has written a movie that reflects his singular, idiosyncratic mind, says Associated Press critic Mark Kennedy.
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Movie Review: Hillary Swank gives inspirational ‘Ordinary Angels’ both the heart and heft it needs
“Ordinary Angels” is based on a real story, and it’s a good thing we know that — otherwise, we’d be tempted to think the filmmakers had dreamed up a story too sappy and inspirational to be true.
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Movie Review: Buckle up for a queer road trip caper in Ethan Coen’s spry ‘Drive-Away Dolls’
Margaret Qualley and Geraldine Viswanathan star as Jamie and Marian, best friends and total opposites who are looking to escape their surroundings for a bit in this queer road trip caper directed and co-written by Ethan Coen.
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Movie Review: ‘Dune: Part Two’ sustains the dystopian dream of ‘Part One’
Denis Villeneuve’s “Dune: Part II” is almost as intoxicating as “Part One.” Like its predecessor, “Part Two” thrums with an intoxicating big-screen expressionism of monoliths and mosquitos, fevered visions and messianic fervor.
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More entertainment
Complex stories of migration are among the finalists for the Women’s Prize for Fiction
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Olympian Kristi Yamaguchi is ‘tickled pink’ to inspire a Barbie doll
Photographer alleges he was forced to watch Megan Thee Stallion have sex and was unfairly fired
Crew members injured in crash on Georgia set of Eddie Murphy Amazon MGM movie ‘The Pickup’
Ashley Judd and Aloe Blacc help the White House unveil its national suicide prevention strategy